Kevin Max Review - by Zoila Walston
A little under a year ago, Toby McKeehan, Kevin Max, and Michael Tait, collectively known as dctalk, announced their decision to each release solo projects.  While all three individuals have contributed their own distinctive flair to the group, it’s a fair statement to say that Kevin Max possesses the most eclectic style of all three.  

His debut album, Stereotype Be, showcases Max’s multi-dimensional lyrics, which go far beyond the surface of typical Christian music. Addressing issues such as pride, relationships, peer pressure, and self-image, Max avoids the square, and often-predictable format of many Christian songs.  He challenges the listener to venture into his intriguing world of Brit-pop style music. This is not a trendy commercial album, hook-laden with catchy phrases. Rather, it is an album, which requires an open mind to a unique format- but well worth it all.

With Adrian Belew (Jars of Clay, King Crimson) taking production credits, this album does something that makes me appreciate the power of music. Each song brings the listener into the feel and message of that particular song. The instruments and voices co-labor together to create an intimacy between the artist and the listener.Although it’s difficult to choose from this intriguing mixture, some of my favorites cuts include: Existence, Be, Angel with No Wings, Dead End Moon, On and On, and Deconstructing Venus.  In addition to the musical offerings, Max also delivers a thought-provoking poem. In Union the Soul, he writes, “ I struggle with a word of truth, but you would wither if a lie passed your teeth.” which depicts an interesting viewpoint of the battle between the flesh and the spirit.

It’s no secret the controversy Max sparks with his somewhat flamboyant and mysterious personality. However, those with discerning musical taste appreciate the very eccentricity of a musician like Kevin Max for these qualities are what give birth to the truly unique and original albums of our time. Stereotype Be is an outstanding musical accomplishment that has been well worth the wait.

by Zoila Walston

 

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